A collection of video work from artists who dissent and evoke social justice in their performance and video practice, curated clips of revolutionaries and practiced resistance. Featuring Tongues Untied by Marlon Riggs, Free, WHITE, AND 21 by Howardena Pindell, and ITSOFOMO by David Wojnarowicz. With video works from Sondra Perry, Aria Dean, Taina Cruz, Keioui, Zenobia Marder, Alyssa Mattocks, Aly Brown, Kamron Hazel, Cameron A. Granger, Sofia Moreno, and Baseera Khan.
Videos will begin streaming June 7th, 2020 and will continue screening until July 3rd.
Open 7PM-12AM, Wednesday - Sunday
Open 1-6PM for appointment only. Please Contact: firstname.lastname@example.org
Followed by a vigil for Black Death in the United States. Caused by the the systemic effects of racism and it’s pipeline to premature or preventable Black Death.
Vigil will start at 4pm, June 7th, 2020 191 Henry Street, NY, NY
Feel free to bring flowers, drawings, candles, your own expressions/art
THE WORK IS NOT FOR SALE
Information and Thanks
Part 1:(June 7 - June 19th)
Videographed by Iki Nakagawa, with sound by Mike Taylor, Edited by Shani Strand.
Courtesy of Baseera Khan, Participant Inc., University Art Museum, State University at Albany.
My Last American Dollar: Round 1. Tricking and Flipping Coins: Making Dollars Hit and Round 2. Black Angels in the Infield: Dripping Faggot Sweat,
A special UK iteration new audio/sound tracks made while in residency at ]ps[ for the PAUSE & AFFECT program. Filmed & edited by Matt Mahony-Page.
Courtesy of Keioui.
Free, White and 21, 1980
Courtesy of Howardena Pindell and Garth Greenan.
How to Breathe Ecstasy, 2019
Courtesy of Taina Cruz.
Peeping Tom, 2017
Courtesy of Aly Brown.
CME Nikes (the real ones), 2018
Courtesy of Alyssa Mattocks.
Courtesy of Zenobia Marder.
got me acting outta pocket, 2020.
Courtesy of Kameron Hazel.
Part II:(June 20 - July 3rd)
David Wojnarowicz & Ben Neill
ITSOFOMO (In the Shadow of Forward Motion)
originally performed in 1989
Courtesy of the Estate of David Wojnarowicz and P.P.O.W.
IT’S IN THE GAME ’17, 2017
and Black Girl as a Landscape, 2010
Courtesy of Sondra Perry and Electronic Arts Intermix (EAI), New York.
But as one... (rework feat.), 2019
Courtesy of Aria Dean, Château Shatto and Greene Naftali.
Tongues Untied, 1989
Courtesy of Participant Inc. and California Newsreel.
Mi Jardín Botánico: El Falso Final Feliz (My Botanical Garden: The False Happy Ending)
performed 2019 at Casa de Lago, Chapultepec with special participation by Victoria Moctezuma and video work by Jorge Luis Moranés.
Courtesy of Sofia Moreno and Jorge Luis Moranés.
Cameron A. Granger
This Must Be The Place, 2019.
Courtesy of Cameron A. Granger.
Re-interpretation of Lynch's The Amputee (1974)
Thanks to Richard Strafer & Jonathan Rick.
Courtesy of Jordan Strafer.
Massive thanks again to all of the artists, Participant Inc., EAI, Greene Naftali, Château Shatto, Garth Greenan, and P.P.O.W
Other Great Things